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Stitching the Invisible Whole Mixed-Media Installations
2005 Art Guild Award Exhibition selected by Catharine Clark
June 2005
Sanchez Art Center, Pacifica, CA
 
Installation 1:
Stitching the Invisible Whole
Installation 2:
Stitching the Invisible Whole
Installation 3:
Site Unseen
 
In Stitching the Invisible Whole I have imagined the world as image and form made tangible through an intricate tapestry, in this case embroidery thread on photographs. I question the very nature of form by bleeding the colors out, alchemically cooking the images down to their color essence and then further down to undyed thread, bringing focus to the raw material from which all things are made.

I began working on Stitching the Invisible Whole after returning from Thailand in January, 2005. I was trekking in the northern part of the country when the tsunami struck, killing over 250,000 people across eight countries. Being in Thailand and having survived the tsunami had a huge impact on my life and art. Once again in my life I was faced with a near-death experience further revealing the lesson of impermanence, so intrinsic to the nature of our existence.

I had not been that close to death or natural disaster except my own battle with cancer or that of my brother before his death. I had never seen so many people come to rescue and care for those who were suffering. While still in Thailand I watched the western news coverage and was struck by the selective eye of the mainstream media and their proclivity towards spectacle. I was jolted by seeing things that took thousands of years to create, suddenly stripped down to a thread-bare state of ruin. This was a vision literally coming apart at the seams. And that is when my vision shifted; the event forced me to look at things more closely, not only to see an apocalyptic wreckage but to see the materials or actual threads things were made of. Rather than show the gruesome face of the disaster (as seen in the media) I have chosen to manipulate my photographs of the trip to explore the fragility and complexity of our existence. I was drawn to use thread as the central metaphor in stitching together and tearing apart that which is not seen, the invisible part of what we are made of, the thread that binds all things together.
 

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